Wednesday, September 12, 2007
Updates, Individuals, Angel Wings in Oldboy
Essentially, how is that Anderson or any understanding of the Imagined Community assess the radical, the interloper, or the outsider? Are these figures a shade of gray that help to mark and delineate the imagined community, thus serving the interest of community preservation, or could the outsider authentically hope to create an identity outside of a community? Perhaps this is what is truly imaginary?
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On another note, after watching a film as arrestingly powerful as Oldboy, I find myself quite seeing LOTS of Anderson sprinkled throughout the film text. Dae-Su's conditioning through television for one thing, especially in the expedited chronology of his imprisonment (complimented with an abbreviated video history of Korea), shows that even as Dae-Su is isolated from physical interaction with his community, he is still enveloped its culture and progress, arguably as Korean as any other Korean.
But at what point does Dae-Su's perceptible individuality take over? Does it ever? As Dae-Su moves through the streets of Seoul after his imprisonment, does the audience feel he has been distanced from the community of people around him, or has he been returned? What does Park suggest with his use of clear Korean iconography throughout the film?
Also, I couldn't help but enjoy the image of the angel's wings at the beginning and end of the film. I was very much reminded of Benjamin's eloquent personification of history: when Dae-Su first puts on his daughter's wings at the beginning of the film, he is entirely facing away from the turbulence of his future, but is blown backward towards it cognizant only of what has already transpired with him. At the end of the film, he can be said to have be turned around, painfully aware of the difficulty of the future, and the strong winds of history that propel him. At this point, Mi-Do takes up the wings, herself only aware of her past, but not sure of the dark future threatening her progress.
In class, Professor Chun raised the question of the temporality of the blog, which she said followed the chronology of the newspaper but carried an archive of older posts like a novel. A couple of posts have already brought up the question of whether bloggers/internet community users can also feel rooted in a virtual place/space or a part of a new type of “nation.” However, it seems to me that the blog has the potential to alter the temporality of Anderson’s original American nationalism rather than the spatiality. While Anderson does declare that a “fertile trait” of the early American newspapers was their “provinciality,” the provinciality is reliant less upon geographic boundaries than it is on the ability of the newspapers to frame events based on a specific way of thinking that happened to be common to the locals who read the paper. Anderson writes that, for example, while a Mexican might read about events in Buenos Aires, “it would be through Mexican newspapers … and the events would appear as ‘similar to’ rather than ‘part of’ events in Mexico” (63). He writes that what originally brought newspaper readers to come to think of this imagined “we” was the “structure of the colonial administration and market-system,” not any particular tangible space.
If the newspaper allowed the perfect clocked imagined community, the blog, with its dependence on a peculiarly temporal archive that leads to what Professor Chun called the “non-simultaneousness of the new,” completely breaks down exactly what it was that made the reading newspaper the archetype of that imagined community — the temporality of the ceremony. If the potential for reading blogs/ en masse is tenuous, then what becomes of Anderson’s nationalism?
Shared Language
One of the themes running through the selections of Imagined Communities we read that I found most interesting was that of national language (or lack thereof). In “The Last Wave”,
I am also curious about the assertion in this section that “Nothing suggests that Ghanaian nationalism is any less real than Indonesian simply because its national language s English rather than
The Consciousness of the Collective Online
Does
the local-global-local
Anderson says that, while Nationalism has historically specific roots, it is an invention “there, so to speak, for the pirating” (156). In other words, a local (limited) imagining of simultaneity becomes a model which can be used globally. This concept, that a specific representation can have a universally resonant structure is instinctively understood. However, Anderson does not clearly qualify the change the execution of the subsequent global to different local adoption would incur on the previously locally specific event.
Let’s take 9-11 as a tangential example of this local/global tension. I would argue that the collapse of the Twin Towers was an extremely geographically localized event that took on global signification. The event, although broadcast far and wide -- as we viewed in class this past week – was traumatic for the New York City community in a fundamentally distinct way than it was for the rest of the world. In particular, the victims and their families, NY Fire Dept., the people in the geographic vicinity of the dust and debris. 9-11, then, was quickly snatched into the global sphere, a different ballgame of signs. Yes, the local and global were conflated to some extent --- for example, in commemorative trinkets the hero imagery of the NYPD is often inseperable from the American Flag. Nevertheless, in the transition from the local to global, the rights of those locally involved were diminished. One need only look at the current construction battles, and the Victims Families and Lower Manhattan community board oppositions. What is altered, lost, detrimental, in the hyphen between global-local ?
How Alive is this Blog?
When does nationalism stick to its people? More importantly, when do other groups start recognizing a community’s sense of nationalism? Anderson’s story about the naming of Vietnam makes me think that nationalism is more about a sense of validity than a sense of comradeship between a group of people—China’s understanding of the Vietnam nationality weighed more on a global scale than the state of Vietnam’s idea of what their nationalism should be. Why did revolutionaries need to take over the state to be most effective in reaching their goals? (Why did Moscow have to be the “new” capital?) It seems to be more about validity than an effective organizing idea.
My point is this: how do people know when the imagined space becomes an imagined community? The state could insist on nationalism, but what about the new kinds of imagined communities—the ones without an overseeing state? This is where outside groups are needed to validate an imagined space’s “community-ness”. Look at this blog, for instance. Are we a part of this imagined community because we were informed it was an imagined community for us to be part of (as with official nationalism)? Or are we a part of this community because we post to this blog? Or will we be part of it when we reference it as a community in class or to our friends and peers (all outside groups)? I think that newer imagined communities (versus official nationalism) need to be validated using groups outside the community.