Our class about imagined networks has included
investigations into how to understand the labeling or composition of spacial forms.
The network has become a predominant framework for explaining interaction, but
has also given rise to the flash mob – the physical manifestation of many nodes
in one place simultaneously without obvious purpose. The questions about spacial
patterns, and our understanding of those implications, have led me to question
two patterns of interaction. My question is: when is it a crowd and when is it
a camp?
In Fassin’s Humanitarian Reason,
the line between the crowd and the camp is blurred, as social and political
factors push people into a common space that is semi-regulated by external
forces. The two spaces are juxtaposed in the Wachowski’s V for Vendetta, in
which camps are oppressive and crowds are liberating. The relationship between
mass movement and non-human factors is further investigated in Rafael, which
illuminates how crowds can be defined by their tools. When the seemingly
organic factors that lead to a mass of people in one imagined space, what role
do control, identity and location have?
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